This work by WhiteFeather (made of animal bones, a beak, feathers, and human hair) hangs above my desk, protecting me from evil.

Introduction by FFG: I met WhiteFeather in Fredericton many years ago, admiring both her innovative art work and fearless personality. We had a lot in common, including a fierce commitment to feminist politics, borne out as we volunteered together to walk women and their families into the Morgentaler Clinic. Most importantly, we were and remain similarly enthralled by all things corporeal, things that others often find disgusting. WhiteFeather is now pursuing an MFA degree and she recently wrote me to describe a crit—when students present work for an audience of teachers and peers—during which she was condemned for using her naked, decorated body in a performance piece. Some viewers argued that her body was too attractive and could only be sexualized when placed on display.  Continue reading →